Where global production decisions get made.

Where global production decisions get made.

The decision layer for film and television. Bringing incentives, locations, and local ecosystems together across 120+ jurisdictions.

The decision layer for film and television. Bringing incentives, locations, and local ecosystems together across 120+ jurisdictions.

Incentive programmes across 120+ jurisdictions, checked and dated.

  • Flag of Italy

    Italy

    30-40%

  • Flat of Greece

    Greece

    40%

  • Flag of Saudi Arabia

    Saudi Arabia

    25-40%

  • Flag of Colombia

    Colombia

    35%

  • Flag of the United Kingdom

    United Kingdom

    34%

  • Flag of Ireland

    Ireland

    32%

  • Flag of Spain

    Spain

    25-60%

  • Flag of France

    France

    30%+

  • Flag of Germany

    Germany

    30%

  • Flag of Hungary

    Hungary

    30%

  • Flag of Malta

    Malta

    30%

  • Flag of Morocco

    Morocco

    30%

  • Flag of Australia

    Australia

    30-40%

  • Flag of Czechia

    Czechia

    25%

  • Flag of Iceland

    Iceland

    25%

  • Flag of the Dominican Republic

    Dominican Republic

    25%

  • Flag of South Africa

    South Africa

    25%

  • Flag of New Zealand

    New Zealand

    20-40%

  • Flag of Thailand

    Thailand

    15-30%

  • Flag of Canada

    Canada

    25%+

Introducing Aporta

Production went global. The tools didn't. That's why we're building Aporta.

Production went global. The tools didn't.
That's why we're building Aporta.

The money moved

More than $200 billion a year goes into content, and over 120 jurisdictions now compete for it.

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ANNUAL CONTENT SPEND

The decision got harder

Where you shoot decides what the show costs. Still made on PDFs and phone calls.

SAME $30M QUALIFYING SPEND

$2.1M APART
Czechia
$7.5M
Ireland
$9.6M

Past the headline rate

What a programme actually pays after the cultural test and the caps. What stacks, and when the money lands.

Cultural Test
Local Hiring Thresholds
Financial Cap
National vs. Regional

The door opens
this year.

Early access for producers, financiers, film commissions, and service providers.